5th Aug 2024 to 7th Aug 2024 | |
5th 8.30pm / 6th 10.30pm / 7th 8.30pm | |
The Voodoo Rooms 19a West Register Street, Edinburgh New Town EH2 2AA |
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£14 + bf Find Tickets |
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Event organiser/part of Edinburgh Festival Fringe | |
Visit the event website here | |
This event is unique in that most performers during the 25 day festival are usually actors, dancers and comedians (among others); and Heathen Apostles are very pleased to be among the few musicians invited.
Born of the voices of past lives and baptized in the dust bowl dirt, the Gothic Americana music of the Heathen Apostles harkens back to a bygone chapter of American history. Using contrasting influences such as Bauhaus, Nick Cave & the Bad Seeds and The Pogues along with Howlin’ Wolf, Loretta Lynn (the band covers her classic Fist City) and Bessie Smith, the Heathen Apostles have created a style of music that at once conjurs both angels and demons, and will enlighten a darkened soul.
Crossing paths at a gathering one Indian summer evening, femme fatale bellower Mather Louth (Radio Noir) and rock n roll veteran Chopper Franklin (The Cramps, Mau Maus, Nick Curran & the Lowlifes) quickly uncovered a mutual appreciation for murder balladry, Americana, and memento mori. It was not long before a collaboration that sought to marry these interests in a sonic landscape, the Heathen Apostles, surfaced. The landscape was further tilled with the addition of Thomas Lorioux (The Kings of Nuthin’) on bass and Luis Mascaro on violin.
Their 6 albums – Boot Hill Hymnal (2013), Fire to the Fuse (2015), Requiem For a Remix (2016), Bloodgrass Vol. 1 & 2 (2018), Dust To Dust (2019) and Bloodgrass Vol. 3 & 4 (2022) – along with their many EPs and singles (their release The Fall was named Best EP of 2018 by Folk n Rock magazine), capture the essence of the Heathen Apostles modus operandi: Southern Gothic Americana imagery surrounded by haunting, minor-chord melodies, musical influences including Gothic Roots music, Bluegrass, Blues, and Gypsy Jazz, all deftly bound together by the band’s dark and sometimes brooding sense of a bygone age.
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