This conversation will bring together distinguished voices to share testimonies from Gaza on the ongoing genocide. The panel features surgeon Dr Ghassan Abu Sitta and journalist Yara Eid, moderated by educator and editor Hazem Jamjoum. This conversation will provide an essential platform for those who have borne witness to the relentless violence and systemic destruction inflicted upon Gaza.
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Yara Eid is a Palestinian journalist and human rights advocate who has worked with various international human rights organisations including Amnesty International. In her writing she explores the struggles of living under apartheid and occupation. Yara has worked as a war journalist on the ground, and covered the 2022 aggression on Gaza. She has been published in Aljazeera, the LA Times, and others.
Dr Ghassan Abu Sitta is a British-Palestinian surgeon who has worked in Yemen, Iraq, Syria, Southern Lebanon and the Gaza Strip. On October 9, he went to Gaza where he worked for 43 days straight in Al-Shifa and Al-Ahli hospitals. Since then he has been showing the world what is happening in Gaza and was recently elected Rector of the University of Glasgow.
Hazem Jamjoum is a Palestinian educator and an editor with the recently-established Maqam Editions publishing house. His translation of Ghassan Kanafani's The Revolution of 1936-1939 in Palestine was published by 1804 Press in 2023, and his translation of Maya Abu al-Hayyat's No One Knows their Blood Type was released by the CSU Poetry Centre in October 2024.
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Falastin Film Festival (FFF) is a volunteer-run, not-for-profit collective of Palestinians and allies dedicated to bringing Palestinian art to Edinburgh and Highland audiences. Palestinians are often summed up as an ‘occupied people,’ and spoken for, though they have their own stories to tell. Using cinema as a tool of resistance the festival strives to decolonize the narrative and equip audiences with historical context. There is a desire to build community while celebrating Palestinian art and culture through cinema, music, cuisine, and other storytelling mediums. Scotland’s exposure to Palestinian society, art, culture, and humanity altogether remains rather limited. FFF hopes to fill this gap, using both classical and contemporary cinema primarily but not exclusively. They strive to highlight Palestinian steadfast resistance, cultural preservation, stories of love, and in the words of poet Rafeef Ziadah, teachings of life. In so doing, they offer a refreshing portrayal that encompasses the geographic, linguistic, and experiential diversity of the Palestinian people globally.
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