Kyla has been a professional musician since the age of twelve – first in her father, Victor Brox‘s band, then striking out on her own The variety and depth of her vocal performances have grown year on year and are given a superb setting in this album’s sweeping landscape of soul, blues, urban R&B, blues-rock, and singer-songwriter pop of the highest class.
Two tracks perhaps deserve extra-special mention. Firstly, the swingin’, jivin’, ‘Bluesman’s Child’ which documents Kyla’s teenage years of singing with her father’s band. A bit of background: in the early ’60s her dad, Victor Brox formed the Victor Brox Blues Train with singer Annette Reis, who would become Kyla’s mother. They were, perhaps, the first interracial band on the scene, Annette having been born in Stockport of African-Canadian, English and Nigerian heritage. Victor went on to the influential Aynsley Dunbar Retaliation drawing the admiration of Jimi Hendrix, who dubbed Victor his “favourite white voice”. Robert Plant was also a teenage fan. Kyla sometimes performs with Victor and Annette to this day.
Kyla Brox is one of the very best soul-blues singers the British Isles has ever produced, and with the arrival of this beautifully composed cornucopia of an album, her time has come.
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