The exhibition brings together three artists that all work with a restricted colour palette, allowing them to emphasise the form and structure. Bridging the gap between disciplines, they each create work that share characteristics of sculpture. Despite working in different mediums, they all share a common approach of collecting elements before reassembling them into final compositions.
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Laura Jane Scott’s desire for formal simplicity through geometric form and striking use of colour, has enabled her to produce work where painting explores a model of architectural form and where the colour embodies a physical structure. The resulting work is a hybrid of painting and sculpture, a refined visual vocabulary of form and colour.
The sleek, even coloured surfaces that characterise Scott’s work are achieved through a delicate process that produces a richly coloured, matt surface, free of gestural brush strokes. When displayed, the fields of saturated clean-edged colour appear to float on the surface of the wall.
JFK Turner’s work is concerned with two key elements, images and objects. Fascinated by what an image is, how we respond to them and how we construct and make them. He believes all images have abstract values and all abstract images are steeped in reality. Objects hold power over us, we covet them, we associate memories with them, consume and discard them. Found objects from other eras fill our museums and we piece together our understanding of these societies by their lost and reclaimed objects.
Turner converts three-dimensional objects into two-dimensional images through a variety of approaches, reconstructing them from unconventional artistic materials. Working on wood allows the surface to be manipulated, revealing how these works were constructed. These paintings share the characteristics of sculptures, as a reaction occurs between the materials. The final object is not just an image, but a physical thing.
Questioning functionality, Derek Wilson uses the vessel as a means of artistic expression by exploring free and geometric abstraction. Habitually, the importance of object placement is foremost with his work and a further dimensionality lies within how it is viewed. Inviting movement in the observer, the work asks them to contemplate the significance of subtle tonalities in surface quality and the distribution of light and shadow. The process of dis-assembling elements associated with archetypal vessels that are reconstructed into complex abstract structures is at the core of Wilson’s practice.
Wilson’s current body of work is a natural progression and enquiry into new variations, with leaning and balanced elements that further abstract the vessel. The exploration of the ceramic surface has also evolved: distorting sections by applying darker or lighter areas of engobe. Glazed elements have also been added to the exterior creating a dialogue between the interior and exterior spaces. A considered and intuitive approach allows Wilson to create objects that have a sculptural and metaphorical resonance, using this process allows him to question the concept of the vessel.
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Want to be the first to hear about what's happening in Edinburgh? Just hit 'Like' on our Facebook page, join the What's On Scotland Facebook Group and 'Follow' on our Twitter account and you're all set!We welcome Frances Priest to &Gallery this August for her debut solo exhibition, Unfixing, showcasing wall and plinth based ceramic pieces, as well as a series of work on paper.
READ MORE&Gallery is pleased to host a one-off musical event which accompanies France’s solo exhibition 'Unfixing' on Saturday 17th August!
READ MOREJoin us at &Gallery on Saturday 31st August to hear more about the Frances Priest exhibition over a coffee!
READ MOREDon't miss the Corstorphine Art Group 2024 Exhibition at St. Ninian’s Church Hall from Saturday 27th July to Saturday 3rd August!
READ MOREIndulge your wanderlust when you visit this solo exhibition of paintings by the renowned Belfast born artist, Sir John Lavery!
READ MOREThe Scottish Gallery’s Modern Masters series showcases the Gallery’s unique position and ability to blend meaningful historical insights with the best of Scottish contemporary art.
READ MORERecognised internationally as a master of his craft, Koji Hatakeyama presents a new series of bronze boxes for his fifth show at the Gallery.
READ MOREReturning to The Scottish Gallery with a bold new body of work, Geoff Uglow presents a review of his formative years in Edinburgh and his Rose Series.
READ MORECatch this Fringe exhibition by artists Susan Macintosh and Leonie Rutter at Birch Tree Gallery in August!
READ MOREJoin us at Dovecot this August after hours and enjoy exploring Tania Kovats ongoing series 'SEAMARKS', followed by a guided tour through 'Chris Ofili: The Caged Bird's Song'!
READ MOREVenture inside Coburg House from 2nd to 4th August and take a peek into our working studios and see what we’ve been creating!
READ MOREThe Edinburgh Fringe returns from 2nd to 26th August 2024 with artists and performers taking to hundreds of stages all over the city to present shows for every taste.
READ MORE