|1st Jul 2022 to 30th Oct 2022|
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National Museum of Scotland
National Museum of Scotland Chambers Street, Edinburgh Old Town EH1 1JF
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Explore the history of anatomical study, from artistic explorations by Leonardo da Vinci to the Burke and Hare murders.
This exhibition will look at the social and medical history surrounding the practice of dissection. It will trace the relationship between anatomy, its teaching and cultural context and the bodies that were dissected. Looking at Edinburgh’s role as an international centre for medical study, the exhibition will offer insight into the links between science and crime in the early 19th century.
Covering 500 years of medical exploration, Anatomy: A Matter of Death and Life features early examples of anatomical art, including sketches by Leonardo da Vinci, lent by Her Majesty The Queen from the Royal Collection. They introduce the search for understanding about the human body and anatomy’s place in the development of medical knowledge across Europe.
You will find out more about the role anatomy played in the Enlightenment. In the 18th century, Edinburgh developed into the leading centre for medical teaching in the UK, and the demand for bodies to dissect and study vastly outstripped legitimate supply. The acquisition of bodies was intertwined with poverty and crime, with grave-robbing (stealing unprotected bodies for dissection) becoming a common practice.
In 1828, William Burke and William and Margaret Hare killed 16 people in the impoverished Edinburgh district of West Port and sold the bodies to an anatomist for dissection. The exhibition examines the circumstances that gave rise to the murders and asks if there were particular reasons that they took place in Edinburgh. It unpicks the relationship between science and deprivation and looks at the public reaction to the crimes and the anatomical practices responsible for them.
The exhibition also highlights the changing practices and attitudes around body provision in the century and a half since the Burke and Hare murders, bringing the story right up to date. It looks at the modern approach to body donation at universities in Scotland and contrasts the ethics, practices and beliefs today with those of two centuries ago.
Among the objects on display, you'll see a 'mort safe', a heavy iron box placed over a coffin to deter would-be body snatchers. Other notable objects include a full-body anatomical model by pioneering model maker Louis Auzoux, ground-breaking casts of body parts, William Burke's skeleton and written confession, and the Arthur's Seat miniature coffins.
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