Article Source: National Galleries of Scotland
Last Updated: 28 February 2026 12:19
Image: Portrait of the Artist, 1993, Jack Vettriano © Estate of The Artist and reproduced courtesy of the estate of the Artist. Credit Paul Watt
Commemorating one year since the passing of celebrated Scottish painter Jack Vettriano, National Galleries of Scotland has announced it is to showcase two works by the artist. Celebrating the life and prolific career of Vettriano, the artist’s estate will loan two self-portraits Portrait of the Artist and Homage to Fontana? over a six-year period. Portrait of the Artist will go on display on the one-year anniversary of his passing on 1 March 2026, at National Galleries Scotland: Portrait. Free to visit, the painting will stay on display until early 2029 when it will then be swapped with Homage to Fontana?.
A self-taught painter, Vettriano was loved at home in Scotland and internationally for his evocative and timeless works that continue to captivate and inspire. His career made a huge contribution to the Scottish arts and culture scene and even broke records in the UK and Scotland. In 2004 his painting The Singing Butler achieved a record price for a Scottish painting sold at auction and went on to become the best-selling art print in the UK. The work even inspired Banksy, whose reimagining of the painting sold in March 2025 for £4.3million. Vettriano is internationally recognised, with the likes of Jack Nicholson, Sir Alex Ferguson and Sir Tim Rice among collectors of his work.
Portrait of the Artist, painted in 1993, is an early self-portrait by Vettriano and was painted a year after The Singing Butler. It depicts the artist taking a break from painting at his Edinburgh flat where he had a studio. A dramatic depiction of light and shade sets the scene for a moment of contemplation. The artist’s paint-splattered clothes emphasise the task at hand.
The cinematic Homage to Fontana? was painted later in 1999. The title and slashes in the painted canvas reference the Argentine-Italian artist Lucio Fontana (1899–1968) whose slashed canvases of the 1950s and 60s blurred the distinction between two and three dimensions to create ‘an infinite dimension’. Vettriano invites us to follow his act of contemplation in relation to what lies beneath the surface and beyond. The painting returned to Edinburgh in July 2025 after its inclusion in a Vettriano exhibition at the Palazzo Pallavicini in Bologna and is the largest of three versions of this composition.
Born Jack Hoggan, Vettriano grew up in the coastal mining village of Methil in Fife. After leaving school at 15, he followed his father down the mine, working as an apprentice engineer. He later moved on to white-collar jobs in management services, taking up painting as a hobby in the 1970s when a girlfriend bought him a set of watercolours for his birthday. From then on, Vettriano spent much of his spare time teaching himself to paint. He learned by copying Old Masters, Impressionists, Surrealists and a plethora of Scottish artists, taking inspiration from studying the collection at Kirkcaldy Galleries. It was his experience living near Leven Beach which prompted him to make the decision: ‘I’m going to set some paintings on beaches.’
A figurative painter, Vettriano described his work as ‘more or less autobiographical.’ He worked from photographs of scenes he staged with models in his studio. His paintings evoke the nostalgia of the 1940s and 50s and were often set, in the artist’s own words, in ‘sombre and sordid interiors’. Vettriano’s dramatic use of light and shade is a distinctive element of his work and heightens the stories of love, sex and betrayal in his paintings.
In the late 1980s he moved to Edinburgh and took his mother’s last name, Vettriano. The artist’s breakthrough came in 1988 when he submitted two works to the Royal Scottish Academy’s Annual Exhibition, with both works selling within the first day. Subsequently he was courted by several galleries, with his first solo exhibition in Edinburgh in 1992. Soon, his works began to gather international acclaim, leading to exhibitions in London, Hong Kong, Johannesburg and New York. The first major retrospective of his work was at Kelvingrove Art Gallery in 2013 and featured Homage to Fontanna?. The exhibition was record-breaking, attracting more than 136,000 visitors over its five-month run.
Imogen Gibbon, Head of Portraiture & Photography & Chief Curator at the National Galleries Scotland, said: “We’re thrilled to be welcoming visitors to the Portrait gallery to come and see Portrait of the Artist – by Jack Vettriano. It feels particularly significant that we are able to showcase a self-portrait to celebrate Vettriano’s contribution to Scottish culture on the anniversary of his death. This portrait and the subsequent work Homage to Fontana? will take their place on loan in The Modern Portrait display amongst the many other contemporary portraits of Scots who have made an impact at home in Scotland and internationally. National Galleries of Scotland extend our thanks to the artists estate, who came to us with this idea and supported us to make it happen.”
Carolyn Osborne, Director, Jack Vettriano Publishing Limited, said: “Jack was known as The People’s Painter and it’s entirely fitting that the public will be able to see one of his paintings in such a beautiful setting within a mile of where it was painted.”
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