Joan Eardley: The Nature of Painting
Step inside the mind and brush strokes of much-loved Scottish artist Joan Eardley with a fresh insight into her powerful and expressive paintings in a new exhibition at National Galleries of Scotland!
About Joan Eardley: The Nature of Painting
| 2nd Apr 2026 to 28th Jun 2026 | |
| 10am - 5pm | |
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National Galleries of Scotland: Modern 73 & 75 Belford Road, Edinburgh West EH4 3DR |
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| This is a free event | |
| Visit the event website here |
Image: Joan Eardley, Summer Fields, about 1961. © Estate of Joan Eardley. All Rights Reserved. DACS, London 2023.
Taking over the ground floor of National Galleries Scotland: Modern Two from April, Joan Eardley: The Nature of Painting will explore the artist’s vibrant artworks from a whole new perspective. Consisting solely of works from Scotland’s national collection, this exhibition will bring together over 30 of Joan Eardley’s artworks, alongside some of the most notable names in the art world including Claude Monet, John Constable, Bet Low, William McTaggart, Jean Dubuffet and Antoni Tàpies. It will offer a unique opportunity to look at how the beloved Scottish artist engaged with the world and artists around her.
Joan Eardley: The Nature of Painting will feature 14 of Eardley’s oil paintings from the Scottish national collection alongside a selection of her works on paper and archival materials. Immerse yourself in Eardley’s iconic views of coastal village Catterline, discover never-before-seen objects from her studio in Glasgow and come face to face with the Glaswegian children who inspired many of her works.
The Nature of Painting follows previous National Galleries of Scotland exhibitions dedicated to Eardly’s artwork including Joan Eardley: A Sense of Place at Modern Two in 2017 and Joan Eardley & Catterline at Modern One in 2022. This new exhibition for 2026 will present a fresh perspective on her artistic practice, inviting visitors to view her paintings amidst a variety of artists and movements, while exploring the possibilities of influence and interest.
Key works on display in Joan Eardley: The Nature of Painting will include the glimmering Summer Fields (about 1961) in which a bright golden cornfield dominates a grey Catterline sky. This painting comes to life in more ways than one, through both Eardley’s expressive brushstrokes and the inclusion of real blades of grass and wheat from the environment around her, giving insight into her artistic methods. Several other scenes of Catterline will also be displayed including the atmospheric Catterline in Winter (1963) and Hedgerow with Grasses and Flowers (1962-1963), inspired by the wildflower fields behind Eardley’s cottage.
Visitors will also meet sisters Anne and Pat Samson, immortalised in childhood through Children and Chalked Wall 3 (1962-1963). In this portrait, Eardley’s signature bold style captures the essence of Anne and Pat’s endearing smiles, as they huddle together in a moment of sisterly affection. The girls are surrounded by a collage of newspapers and painted graffiti, as well as silver and gold papers, presumed to be sweet wrappers. This portrait, displayed in the exhibition along with others including Street Kids (1949-1951), tells the stories of real Glasgow children who lived close to Eardley’s studio, and captures their friendliness and community spirit which Eardley admired.
Born in West Sussex in 1921, Eardley moved to Glasgow with her family during the outbreak of the Second World War in 1939. She studied at Glasgow School of Art and Hospitalfield House where she was taught by Scottish artists including Hugh Adam Crawford and James Cowie. It was during this time that she began to shape her preference for painting everyday subjects. Eardley rented a studio in the centre of Glasgow in 1948, and a few years later moved to Townhead, where the local children became her artistic subjects.
In 1954, she bought a cottage in the small fishing village of Catterline, south of Aberdeen. Catterline’s coastal charm and dramatic seascapes formed the subject of many of Eardley’s paintings, providing the perfect setting for her expressive artwork to flourish. After her untimely passing from cancer in 1963, Eardley’s ashes were scattered on the beach at Catterline, creating a lasting bond between the artist and the place which inspired her.
A range of archival and photographic materials from the Scottish national collection will also be displayed in Modern Two’s Keiller Library. Donated to the National Galleries of Scotland in 1987 by Eardley’s sister Patricia, the artist’s archive contains a range of interviews, photographs and personal contents from her studio. This display will give a glimpse into the artist’s world, painting a picture of the woman behind the artwork, as well as giving context to what she admired most in the work of others.
For the very first time, visitor favourite from the Scottish national collection Grainstacks: Snow Effect (1891) by Claude Monet will go on display amongst Eardley's artwork. A key founder of the Impressionist movement, Monet was known for finding his source of inspiration in the outdoors, bringing nature to life through abstract brushstrokes and textures, much like Eardley’s paintings of the Catterline landscape. The gentle gold light across frosty stacks of grain and bold use of paint echoes elements Eardley used in Summer Fields. Bringing these artworks together especially for this exhibition highlights artistic similarities spanning generations, whether intentional or not.
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