A two-person exhibition exploring the interplay between the practices of Leena Nammari and Louise Ritchie, as artists, peers and collaborators.
Departing from porcelain paper-clay as a material-in-common, through which both artists reflect on shared themes of belonging and remembrance: in the case of Leena, her Palestinian homeland unreachable during the past two years of disruption, and for Louise, a homeland closer to home, reachable geographically, but now absent of parents.
This exhibition does not reflect a nostalgic lens, but rather presents objects that act as evocative placeholders signifying home in the absence of its presence.
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